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Blooming Relationships:The Discursive Art of Disquieting One’s Blood

March 23, 2026 Angie S. Barrera Alba

One of the things I love the most about my grandmother, besides the stories of the time before the port’s expansion, is hearing her recite old proverbs. I was on a call with her not too long ago when I purposely mentioned that the spring equinox was getting close, secretly hoping for her to drop one of her usual sayings, and it worked. As expected, I heard her say, “la primavera, lasangre altera.” In English, the idiom translates to “spring disquiets one’s blood,” and it refers to the season’s tendency to energize, bring change, and compel us to pair up.

Perhaps the saying has a point. Indeed, sometimes I feel like everyone gets into a relationship in the spring. Some studies [4] blame this on seasonal peaks of sexual hormones and the increase in day length. I see the value of the evidence, but that just can’t be the whole truth. Surely, there must be something more to the nerve-wracking, impossible, but ultimately fascinating dilemma of whether or not to double-text, other than the identification of fit mates. Many biological and evolutionary theories of interpersonal relationships tend to neglect the social and contextual forces that influence the way we connect [3]. There’s a magic to meeting and getting to know someone, whether romantically or otherwise, that just cannot be attributed to neural activity and primitive instincts. The early stages of any relationship always feel to me like an exciting game of moves and countermoves in which people make meaning together, negotiate values, and tentatively build the ties that bind us together. Somewhere between the very first instances of awkward small talk and the point of losing oneself in late-night conversations, we engage in a process of transformation and sharing through language.

Conversations change us in subtle ways. They teach us the workings of the world; what is acceptable, admirable, and repulsive. In the context of new friends, they open a fascinating world of possibilities. In the context of dating... well, they become an equally fascinating minefield. Discourse, or, in other words, the social practice of making meaning through language, highlights the performativity of speech [1]. This is not to say that all forms of communication are means of manipulation, but that speech is not just a representation of our thoughts. Otherwise, there wouldn’t be a difference between adding two or three exclamation marks at the end of our messages, and humor wouldn’t exist. Language doesn’t just describe; it does. It performs by showcasing different versions of ourselves and by subtly instilling action [2]. The date who tells me not to worry about it when I ask her, “However, can I pay you for tonight’s drinks?” isn’t just being reassuring; she’s flirting with me. Just like my comments about the spring equinox aren’t just about the passing of the seasons, they are a subtle request to connect and find familiarity through tradition. It becomes impossible not to get excited about meeting others once you realize all the different ways a conversation might take us, and how much we can learn from one another. Perhaps the saying has a point, after all. Perhaps spring does disquiet one’s blood, and perhaps we should all expand our horizons beyond romantic relationships, play the conversation game, transform, and be transformed.

In the end, I always find it somewhat funny, because my grandmother has never been outside the Canary Islands, and one could argue that it’s almost always spring at home. I don’t say this, though. I tell her about the flowers in the Netherlands, and the curling of my lips gets bigger once she says she’s surprised at how quickly I got used to the rain. I know she’s not just commenting on the weather; she’s letting me know that I’m changing, being transformed. It makes me think about all the nerve-wracking, impossible, but ultimately fascinating people I interact with every day, and I come to realize that perhaps it’s almost always spring for me as well.

References

[1] Billig, M. (2009). Discursive psychology, rhetoric and the issue of agency. Semen, 27. https://doi.org/10.4000/semen.8930

[2] Edley, N. (2001). Unravelling Social Constructionism. Theory & Psychology, 11(3), 433–441. https://doi.org/10.1177/0959354301113008

[3] Miller, R. (2014). Intimate relationships. McGraw-Hill Education.

[4] Shanmugam, D., Espinosa, M., Gassen, J., van Lamsweerde, A., Pearson, J. T., Benhar,

E., & Hill, S. (2023). A multi-site study of the relationship between photoperiod and ovulation rate using Natural Cycles data. Scientific Reports, 13(1), 8379. https://doi.org/10.1038/s41598-023-34940-z

In Psychology, Philosophy Tags social constructionism, interpersonal relations, discourse analysis

One Day

June 3, 2024 Honours Review

Perhaps one day, you’ll wake up and breathe

Realizing the air you inhale is spaceless

And the disinterested time of numbers is timeless

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Tags music, poetry, future, interpretation

The Case of Babymetal: Negotiating Authenticity and Diversity

September 7, 2020 Joanna Zienkiewicz
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If you haven’t heard the name of this Japanese band by now, you have three albums to catch up on, the last one (Metal Galaxy) released less than a year ago. Formed in 2010 by three young women, Babymetal connects the worlds of Japanese pop (J-pop) and heavy metal, of ‘cuteness’ and aggression, of idol culture and its subversion; all within a genre they call kawaii metal [1]. Besides presenting a strikingly new, hybrid sound, the trio – currently duo- and the mixed reception of their work provide a potent ground of theorizing the negotiations of authenticity and diversity among metal fans today. With a few exceptions [1], however, it appears that the Western academia has not yet caught onto the case, despite the group’s global appeal confirmed by their World Tours and 2019 top position on Billboard’s Top Rock charts (as the first Asian group in history) [2]. While metal fanbases question whether Babymetal can be qualified as metal at all and whether it is “authentic”, we can in turn ask: what do such questions reveal about the “rockist ideology” [3] in its diversifying transition of the modern age?

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In Arts and Humanities, Culture Tags music, metal, babymetal, authenticity, rockism

The Seed in a Blank Mind: Understanding Creativity

September 7, 2020 Marta Cardoso

I have to admit… Ever since I was asked if I would like to join the Honours Review team of writers, I thought “Oh yeah! The opportunity I have been waiting for to express my creativity and ideas”. Guess what… It didn’t happen. Every time I have to write about a new topic, my mind goes blank and I feel like all my creativity is gone or it never existed and the reality I used to know was fake.

I wonder, is it just me when I am put on the spot, or does this happen to everyone?

As you may already suspect, a writer’s block is one of the most common conditions one can suffer from.

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In Natural Sciences Tags creativity, science, brain processes, writer's block

Underground music: a genre, a statement, or a judgement?

March 2, 2020 Joanna Zienkiewicz

Whether online, in record stores, in music magazines, awards, or even daily fan conversation, the terms such as “underground” and “alternative” are increasingly used for the classification of music releases. Either used in combination with other genres to describe a certain music style (“alternative rock”; “underground dance music”) or even functioning on their own, the underground and alternative are understood as self-evident by many. The common definition is simple: alternative/ underground is simply not a part of the mainstream. In academia, however, as early as 1996 popular music genres (as a whole) were called under scrutiny for their unstable boundaries, constructed, marketing-oriented and agreement-based nature. [1] As umbrella terms often encompassing a variety of genres based on broad criteria, the terms “underground” and “alternative” can be questioned even more so.

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In Arts and Humanities Tags underground, music, alternative, counterculture, mainstream, elitism

All was no longer well: Fix-it fanfiction through the years (Part 1)

February 29, 2020 Daniëlle Fluks

“The scar had not pained Harry for nineteen years. All was well.” [1] Chances are, you remember quite well when and where you read this sentence for the first time. It might have marked the end of the Harry Potter-era, but started a seemingly endless supply of fix-it fic: fanfiction that addresses a – according to the author – unfathomable error in the original work and tries to set it straight. Especially the final Harry Potter book has lead to an innumerable amount of such works. Yet, Harry Potter is far from the only franchise inspiring fanfiction writers all over the world to fix their predecessor’s errors. How has this genre developed over the years?

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In Arts and Humanities Tags fanfiction, harry potter, fandom, storytelling, internet cultures

Fragility, Pride, and Historical Legacies in Isao Takahata's "Grave of the Fireflies" (1988)

February 28, 2020 Ola Medzińska
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Directed and produced by Isao Takahata, Grave of the Fireflies (1988) is an animated movie telling a story of war, grief, and tragedy. During an attack on their village two children, Seita and Setsuko lose their mother. Their father is a soldier in the Japanese army, currently fighting in the Second World War, so the children decide to temporarily stay with their aunt. However, as time passes, the aunt begins to treat Seita and Setsuko as if they are unwanted intruders in her household. As a result of their relative's attitude and lack of compassion, the children proceed to run away and move in an abandoned bunker which they try to transform into a home. As the story unfolds, it portrays Seita and Setsuko's experiences while dealing with post-war reality – hunger, illnesses, and loneliness.

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In Culture Tags animation, historical legacies, japan, symbolism, film, interpretation

Climate Change: a reality creating plastic seas. True or false?

February 27, 2020 Marta Cardoso

Climate change: a topic dominating everyday discussions worldwide. In fact, THE topic of the present day. But first things first: What is Climate Change? Is it real or “fake news”? How will it affect our daily lives? Too many questions, not enough time. As a natural science student, I feel that the perception of this topic is a bit different when compared with ‘normal people’. Here, I propose to lead you through the story of Climate change, through my perspective. We’ll look deep into what it is Climate Change, the real risks on our ecosystems, what has been done to fight it and, lastly, which alternatives to secure the future of our planet could be taken.

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In Climate & Sustainability Tags climate change, global warming, sustainability, ecosystems, greenhouse effect, sea levels

Birds of a Feather: How TV Fandoms End up as Twitter Echo Chambers

April 25, 2019 Eliza Actina
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In today’s social media dominated world, platforms like Twitter are not only there to allow users to express themselves in 280 characters. On a scale achievable only by a multi-billion company, people can now turn to tweeting as a way of connecting over-shared preferences for their favourite media, with television emerging as the winner. Here is where we see the emergence of a golden rule: fans of the same TV programs prefer opinions which support their own (4). This phenomenon, known as opinion homophily or echo chambers, deserves attention as the number of fandoms increases in this triumphant TV era of content streaming platforms like Netflix. But why exactly do TV fandoms on Twitter have a tendency to form homophilic echo chambers? 

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In Arts and Humanities Tags twitter, social media, fandom, chirp, echo chamber, opinion, homophily

Leadership for the Energy Transition: Developing Socially and Economically Shared Objectives and Contracts to Ensure A Green Future - Part 2: Enabling Successful Collaboration

April 11, 2019 Patrick Rieder
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In the first part I talked about the current challenge we are confronted with regarding the transformation of our economic system to fight climate change. I argued that we have to move from a linear take-make-waste economic model to a circular economy in which as many resources as possible stay within in the cycle, where they are re-used and re-“cycled”. I argued that this system changes will cause a shift in the roles of its actors. Rather than being focused on one single role with a limited set of objectives, private citizens, companies and the government have to widen their perspective and become much more strongly involved in every aspect of energy production and consumption. Glocalization leads to the civil society becoming prosumers – consumers and producers at the same time which requires a much stronger sense of personal autonomy amongst private citizens. In what follows, I want to continue by giving some ideas of why strong collaboration between actors is particularly necessary for moving on to a sustainable energy production system and which implications this might have for individuals, politicians and firms.

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In Energy Talks, Politics Tags energy-talks, energy, sustainability, leadership, NIMBY
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